Hell or High Water (Lost and Found, Inc. Book 1)

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Hard rock , heavy metal. Gemini Suite Live Come Hell or High Water Bombay Calling Collector's Guide to Heavy Metal. Rats chew dead bodies in tunnels, a human eye looks out from the mud, half of another corpse shields a soldier from enemy fire as he charges. Hell or High Water indulges its white characters on both sides of the law in fantasies that their pain is the same as that of the minor characters who are Native American.


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His performance and direction are generous and sensitive, allowing plenty of room for the actors in smaller parts Mykelti Williamson, Russell Hornsby to dig into their characters. Viggo Mortensen, in all his indie glory but also somehow bordering on Jeff Daniels, plays a survivalist family man and self-described Maoist in Captain Fantastic. Living off the grid in an Oregon forest with his many children, he has taught his kids to hunt with bows and arrows and knives, to revere science and Nabokov, and to speak proper English.


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If they break into Esperanto to talk behind his back, he scolds them for it. Here is a film not afraid to point out that many of the people you encounter after leaving the woods are fat. What becomes the most interesting thing about Captain Fantastic by the end is the absence of Mrs. Fantastic, his wife and the mother of all these kids. She gets two funerals in the film, one traditional, at the insistence of her wealthy parents, and one presided over by Mortensen after he and the kids dig her up and cremate her. The first truly Trumpist film of its era, this disgusting and absurd neo-noir, by the fashion designer Tom Ford, flaunts its malice and misogyny, presenting them as criticism of the art world and its hangers-on.

This handsome, empty-souled dimwit Armie Hammer gets off the hook pretty easy here compared to everyone else.

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Gyllenhaal, a sad-sack novelist, needles Adams by sending her galleys of his new book, a spiteful tome Ford seems to think redeems him as an artist and a man. The lengthy sub-Antonioni ending makes Amy Adams pathetic and unattractive despite the rich trappings of her wardrobe and makeup more irony , while Aaron Taylor-Johnson, as the main hillbilly rapist, has a perfect haircut throughout the film. Capitalism is eating its young. The cinema has become such an unsophisticated medium that now even four-year-olds can make a Rambo movie. Online Only October 6, October 8, September 27, September 23, Online Only A.

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Hamrah One Word: Authenticity! Oscars On the one side are the representatives of the new economy, who invariably justify their dominance by referring to themselves as agents of positive change.

On the other side are the representatives of the older economy who lack the money of their opponents and are constantly characterized as enemies of progress. These clashing economic interests also align with historical racial divides, pitting rich and white development interests against the poorer black residents. The film succeeds in its aim to provoke maximum outrage in telling its story of greed, grass-roots activism, and racism.

Still no better when the BP oil disaster happens five years after that. The documentary captures Turkey Creek's responses to all of these tragedies - and a few remarkable victories against the powers that be. SoLa: Louisiana Water Stories Investigates how the exploitation of Southern Louisiana's abundant natural resources compromised the resiliency of its ecology and culture, multiplying the devastating impact of the BP oil spill and Hurricane Katrina.

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Hell or High Water () - News - IMDb

We Are Not Ghosts Detroiters are reinventing the old Motor City as a vibrant new self-sustaining and human-scaled city for a post industrial world. When Is Enough, Enough? A small Cree band in Alberta battles major oil companies for their land which lies on top of one of the world's richest oil deposits. Edens Lost and Found 4-part series that highlights models for urban transformation in the effort to make Chicago, Philadelphia, Los Angeles and Seattle into sustainable cities.

The New Metropolis Two short documentaries highlight the efforts of some of America's first suburbs to reverse their long decline. It's about everything that matters in our society.

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Viewers will be touched by Evans' courage and self-sacrifice and gain insight into the region's historical, environmental, and racial issues. A powerful story of one man's good fight, this is recommended. Cassady, Video Librarian "Students learning about environmental racism, gentrification, segregation, and activism will be able to trace how the historical legacies of slavery, housing discrimination, and racism continue to shape the trajectories of cities and neighborhoods.

Come Hell or High Water offers a particularly compelling depiction of the emotional, physical, and psychic toll on vulnerable, racialized communities when their homes, lives, and histories are discarded for economic projects that will offer them little in return. It is also a moving portrayal of the personal cost of immersing oneself in seemingly never-ending struggles for environmental justice.